When I was growing up, I often wondered how it would feel to appear in a Hollywood movie. It never seemed very likely: I have spent my career first as an academic, studying the anthropology of marriage rituals in the remote mountains of Tajikistan, and then as an FT journalist, writing about equally specialist subjects such as Japanese banking and collateralised debt obligations (CDOs).
在我還沒長大時，經常幻想出現在好萊塢電影里會是什么樣的感覺。不過這種幻想一直都不著邊際，我的職業生涯開始于學術界，在塔吉克斯坦的偏僻山區對當地婚俗進行人類學研究，后來我成了《金融時報》的記者，報道一些同樣專業化的問題，如日本銀行業和債務抵押債券(CDO)。
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