Kristalina Georgieva starts to sing, in Bulgarian, right there at the table — quietly, but firmly, the way you might sing to a child on absolutely her last lullaby of the evening. It is a song she wrote as a teenager in the late 1960s, in her grandparents’ village in the mountains in communist-era Bulgaria, when she ran out of shelves in the local library and started reading philosophy. She finishes a couplet, then translates.
克里斯塔麗娜?格奧爾基耶娃(Kristalina Georgieva)坐在桌子前，開始用保加利亞語唱起歌來——聲音很輕，但很穩，就像你對一個孩子唱她今晚最后一首搖籃曲。那是一首她在少女時期——也就是1960年代末——寫的歌，當時她生活在共產黨統治下的保加利亞，在祖父母棲居的山村小住。她看完了當地圖書館的所有書，開始閱讀哲學書籍。她唱完了兩句，然后開始翻譯。
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